![]() ![]() Kirsty died in a boating accident on 18th December 2000.ġ961 Martin Kemp, an English actor, director, and the bassist in the new wave band Spandau Ballet was born.Ĭharts 1981 The Police started a four week run at No.1 on the UK Albums Chart with their fourth studio album, " Ghost In the Machine". She recorded several hits in the 1980s and 1990s, including " A New England", no. ![]() He was also member of the bans Slik, Thin Lizzy, Rich Kids and Visage.ġ959 Kirsty MacColl, a British singer and songwriter was born. This Day In 80’s Music Birthday 1953 Midge Ure, a Scottish musician, singer-songwriter, producer, and frontman of Ultravox was born. Production Creditsĭetails of that information has not been made available.Search Search 1980s Music Videos 1980s Music Videos Richard Marx This project is a triumph! An accomplishment that should be valued for what it is: a victory of vision and execution. ![]() “Songwriter” is a bold and ambitious undertaking that could only have been accomplished by a writer with Richard Marx’s level of expertise, experience, and familiarity with the workings of the music business. The final part of the album is made up entirely of ballads, including the Burt Bacharach and co-written song “Always,” as well as the songs “Maybe,” “Never After,” “Still in My Heart,” and “As If We’ll Never Love Again.” Tracklist NO A moodier, darker tune that seems like it may be the sister song to Marx’s very own classic hit, “Hazard,” is “We Had It All,” which contrasts with the chugging guitars and sadness of “Breaking My Heart.” All of these songs are excellent. The melody and structure of “One Day Longer,” which Keith Urban co-wrote, have a distinctly Urban-esque cadence. Additionally, it serves as a reminder to those of us who have lived through the last five decades that the distinctions between genres and styles have clearly become more hazy recently.Ī catchy chorus and a guitar line that sounds a lot like Florida Georgia Line’s “Cruise” can be heard in “Misery Loves Company,” which Marx and his son Lucas co-wrote. The song “Everything I’ve Got” has a somewhat southern guitar tone and cleaner vocals than Marx used on the rock songs, but it would have passed for Hard Rock and was played frequently on Headbanger’s Ball back in the day. Thankfully, the songs in the Country area are exactly as wonderful as their Rock counterparts, so when that changeover takes place, there is absolutely no drop in quality. While ‘We Are Not Alone’ begins in classic Sum41 fashion with a monster riff from the early 2000s, it develops into an extended chorus about resiliency and solidarity. Marx’s vocals on this song are dripping with a sarcastic smirk that perfectly complements the song. The chorus of “Shame On You” has a distinct Evanescence vibe, and the post-chorus riffage is very delightful and perfect for headbangers! The Vertical Horizon song “My Love, My Enemy,” which Matt Scannell and I co-wrote, is drenched in massive voices, large harmonies, and massive backing vocals. Marx’s vocals have a grizzled snarl to them, the guitars are ramped up, and the drums are louder. The introduction of the Rock quarter is a little unexpected given the polished, silky Pop of the first five songs. The disco influence is present in “Only a Memory,” but the standout track for this section of the album is “Moscow Calling.” A very upbeat, European-sounding song is supported by heavy beats. With its driving pace, keys, and production elements, Marx’s current single “Same Heartbreak, Different Day” harkens back to their 80s heyday, while “Anything” is a polished guitar-based heartbreak song with an anthemic undercurrent. Songs in the “Pop” category range from mature, adult Pop that meets AOR to disco-tinged selections.
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